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Filmart features – Page 5
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FeaturesFilmart 2015: Hot titles - Hong Kong, China
Liz Shackleton spotlights the hottest productions at Hong Kong Filmart.
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FeaturesFilmart 2015: Beyond China
Filmart is the centre of the world for global buyers and sellers focused on Asian content. As it enters its 19th edition, Louise Tutt examines its enduring appeal.
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FeaturesFilmart 2015: HAF profiles
Profiles of projects from the 13th Hong Kong - Asia Film Financing Forum (HAF).
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FeaturesFilmart 2015: Is there Asian appetite for European films?
With sales companies out in force at Filmart, how much of an appetite do Asian audiences really have for European films?
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FeaturesFilmart 2014: China’s online video boom
Boasting a mix of local and foreign content, online streaming is big business in China. Liz Shackleton reports on the consolidation in the sector and what the future holds.
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FeaturesFilmart 2014: Relationship status
What are the biggest challenges faced by European producers when teaming up with Chinese partners to gain access to the territory’s $3bn box office? Melanie Goodfellow reports.
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FeaturesFilmart 2014: hot titles: Japan
Japanese companies attend Filmart with a strong line-up of titles. Jason Gray highlights some of the most eye-catching productions.
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FeaturesFilmart 2014: Screen's features
Browse Screen International’s Filmart 2014 features including a spotlight on the hottest titles from China, Hong Kong, Taiwan and Korea, and an interview with film-maker Pang Ho Cheung.
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FeaturesFilmart 2014: destination Hong Kong
Filmart 2014 is expected to draw record numbers of attendees. Jean Noh looks at the special allure of Hong Kong as a market that works across borders
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FeaturesPang Ho Cheung, Aberdeen
Film-maker Pang Ho Cheung talks to Liz Shackleton about HKIFF opening film Aberdeen, which looks at the contradictions of Hong Kong society
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FeaturesFilmart 2014: hot titles: China, Hong Kong, Taiwan
Liz Shackleton spotlights the hottest productions from the Chinese mainland, Hong Kong and Taiwan
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FeaturesFilmart 2014: hot titles: Korea
Korean cinema continues its strong run at home and abroad. Jean Noh profiles some of the highlights
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FeaturesHong Kong Film Festival: highlights
The 38th Hong Kong International Film Festival (HKIFF) opens March 24 with two films: the world premiere of Pang Ho Cheung’s family drama Aberdeen and the Asian premiere of Fruit Chan’s black comedy The Midnight After.
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Features
HAF/Fox Award: finalists 2014
An award supported by HAF and Fox International Productions nurtures new voices in Chinese-language cinema. Liz Shackleton introduces this year’s finalists
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FeaturesFilmart 2014: Russia steps it up
The territory is responding to China’s growing interest in Russian films by establishing a pavilion to raise its profile at Filmart.
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FeaturesFilmart 2014: Three eyes on Japan
With no fewer than three pavilions on offer, Japan is making the most of the opportunities to do business and network at Filmart, writes Jean Noh.
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FeaturesFilmart 2014: HAF profiles
Profiles of projects from the 12th Hong Kong - Asia Film Financing Forum (HAF).
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FeaturesFilmart's French-Asian Connection Party
On March 19 at The Pawn in Wan Chai, Hong Kong, Filmart guests celebrated with the Ile de France Film Commission, Imaginove and the Taipai Film Commission.
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FeaturesGalloping Horse picks up the pace
The purchase of the digital-effects studio behind the Transformers franchise put Beijing Galloping Horse on Western radars. Now its latest hook up — with John Woo — is set to take the company to the next level. Liz Shackleton reports
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FeaturesChina: Enlight Pictures
Low-budget comedy Lost In Thailand has become the biggest local film ever in China and the producers, Enlight Pictures, are taking the lessons of its success to heart. Liz Shackleton reports