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TV features – Page 13
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FeaturesMIPCOM: how to excel in India's burgeoning VOD market?
India is on the brink of a streaming revolution, with international players joining a host of local platforms. But can anyone make money in this complex and crowded market? Liz Shackleton reports.
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FeaturesMIPCOM: Swedish TV outfit Yellow Bird's flight plan
Swedish TV and film production company Yellow Bird is moving beyond its Nordic Noir roots with an ambitious slate mostly for the small screen.
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FeaturesMIPCOM: US TV industry making diversity strides
US television has made positive strides towards on-screen diversity, whereas progress in the film industry remains slow. It is a trend that is reaping rewards.
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FeaturesMIPCOM: Blurred lines between film, TV industries
It has taken Hollywood a while to catch up with some parts of the world, but the demarcation between the US film and television industries is becoming ever more faint.
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FeaturesMIPCOM: UK indies embracing high-end TV
Independent UK producers are increasingly branching out into high-end TV drama, driven by financial and creative opportunities. Is this the golden goose for the indie film sector?
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FeaturesMIPCOM preview: Netflix, Amazon signal new television era
As content platforms proliferate, the focus of this year’s MIPCOM market (Oct 17-20) will be the rewards and challenges of The New Television era - one in which Netflix and Amazon’s future domination may no longer be a given.
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FeaturesCrossing the channel (COMMENT)
Screen editor Matt Mueller talks MIPCOM and looks ahead to awards season.
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FeaturesThe Night Manager’s 40m views in China highlights growing drama opportunity
EXCLUSIVE: The “last frontier” for high-end drama is opening up, according to industry experts.
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FeaturesJeremy Isaacs talks Channel 4 privatisation, 'The World At War' and director Jack Gold
Founding chief executive of Channel 4 discusses potential privatisation and career highlights.
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FeaturesMIPTV: high-end drama, cinema crossover set to dominate
The cinema world’s growing love affair with TV will be more evident than ever at this year’s MIPTV.
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FeaturesMIPTV: drama on the Croisette
Screen’s selection of MIPTV titles to look out for from both broadcasters and streaming players.
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FeaturesAsia TV Forum & Market 2015: small screen, big picture
SCREEN SUBSCRIBERS: Singapore’s thriving Asia TV Forum & Market is designed to offer real insights into how to reach Asian TV audiences. Silvia Wong reports
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FeaturesIn focus: screenwriting
Ahead of the eve of the sixth Bafta and BFI Screenwriters’ Lecture Series (Sept 23-Oct 3), four celebrated screenwriters discuss how the Netflix era has put them back in control.
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FeaturesToronto 2015: TV at film festivals
TV pilots, premieres and catch-ups are becoming must-haves for film festivals. Andreas Wiseman reports on a rapidly expanding trend.
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FeaturesThe data revolution
Data analytics helped Netflix brew up its hit show House Of Cards, but as a useful industry tool it’s still in its infancy. Nikki Baughan explores the potential of data for other broadcasters, exhibitors and studios.
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FeaturesCreative Week: Channel The Change
BBC strategy, TV consolidation and the boom in digital talent were among the hot topics at this year’s Creative Week conference in London. Andreas Wiseman reports.
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FeaturesCreative Skillset: Invest in the future
The urgent need to invest in and develop talent sits at the forefront of Creative Skillset’s ambitions for the future growth of the film and TV sectors.
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FeaturesThe Weinstein Company: stirring drama
As The Weinstein Company ramps up its scripted TV productions and acquisitions, Andreas Wiseman talks to the executives behind the push.
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FeaturesMIPTV: Transmedia’s transitions
As the digital-focused MIPTV champions a new age of storytelling this month, Melanie Goodfellow explores how TV drama and film producers are tentatively branching out into other platforms
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FeaturesAFM 2013: Market forces
This year’s American Film Market (Nov 6-13) will take place against a backdrop of US economic instability, but it’s the small screen that is likely to be the hot topic of conversation, as Jeremy Kay reports