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Latest – Page 5
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Reviews‘Europa’: Cannes Review
An Iraqi refugee desperate for a new life attempts to outrun bloodthirsty Turkish ‘migrant hunters’
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Reviews‘Neptune Frost’: Cannes Review
Cyber-musical from Rwanda showing in Directors’ Fortnight displays defiant and dizzying originality
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Reviews‘A Hero’: Cannes Review
Asghar Farhadi returns to Competition with the story of an unlinkely man caught in a social media storm
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Reviews‘Let It Be Morning’: Cannes Review
An Israeli Arab visiting his hometown finds himself under military seige
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Reviews‘Hit The Road’: Cannes Review
Panah Panahi raises the roof with his Directors’ Fortnight triumph
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Reviews‘Lingui: The Sacred Bonds’: Cannes Review
A single mother struggles to protect her pregnant daugter in Mahamat-Saleh Haroun’s Cannes Competition title
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Reviews‘Ahed’s Knee’: Cannes Review
Nadav Lapid plays in Competition with a caustic story about an Israeli film-maker forced into a cultural compromise
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Reviews‘The Son’: Moscow Review
A middle-aged Iranian man struggles to grow up after the death of his mother
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Reviews‘The Last Shelter’: CPH: DOX Review
Moving documentary about life at Caritas House of Migrants, a refuge for travellers on the edge of Mali’s Sahel desert
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Reviews‘Our Memory Belongs To Us’: CPH:DOX Review
Three exiled Syrian journalists reunite to watch footage from the beginning of the revolution
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Reviews‘Children Of The Enemy’: CPH:DOX Review
An man attempts to rescue his oprhaned grandchildren from a Syrian refugee camp
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Reviews‘The Return: Life After Isis’: SXSW Review
In a desolate camp in Northern Syria, stateless ‘Isis Brides’ open up to Alba Sotorra’s sympathetic lens
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Reviews‘Captains Of Zaatari’: Sundance Review
In a refugee camp in Jordan, football offers hope to two young boys
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Reviews‘Sabaya’: Sundance Review
Tense and riveting doc follows attempts to free captured Yazidi women from the notorious Al-Hol camp
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Reviews‘President’: Sundance Review
A remarkable story of bravery and determination against daunting odds in Zimbabwe’s first “free and fair” elections
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Reviews‘Toorbos’: Review
South Africa’s Oscar-entry is set in the poor white backwater of the 1930s
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Reviews‘The Milkmaid’: Review
The first-ever entry from Nigeria competes in the International Feature Oscar
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Reviews‘Lift Like A Girl’: Review
Behind the scenes at Egypt’s unorthodox training camp for champion female weightlifters