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All Award Categories articles – Page 2
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Features“I was covered head to toe in bruises”: Mikey Madison on digging deep for Sean Baker’s ‘Anora’
Sean Baker wrote the role of the gutsy exotic dancer at the heart of his Palme d’Or winner for the actress.
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FeaturesInto the shadows: creating the deep, dark look of ‘Nosferatu’
Reuniting with filmmaker Robert Eggers, director of photography Jarin Blaschke puts a distinctive visual stamp on Nosferatu.
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FeaturesHow Weta FX turned Robbie Williams into an ape for pop-star biopic ‘Better Man’
“A lot of the technology we developed for ’Planet Of The Apes’, for ’Avatar’, was employed on this.”
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FeaturesDemi Moore on her jaw-dropping role in ‘The Substance’
Fortune favours the bold – and that’s certainly the case for Demi Moore, who is winning new fans with provocative body horror The Substance.
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FeaturesWhy Michael Gracey turned Robbie Williams into a “performing monkey” in ‘Better Man’
Director Michael Gracey on why he turned pop star Robbie Williams into a CGI ape for his dark, intense musical biopic
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FeaturesHow ‘Grand Theft Hamlet’ became one of the most talked-about British films of the year
A fun lockdown project turned into a festival and awards smash for debut filmmakers Pinny Grylls and Sam Crane.
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FeaturesIn conversation: Sam Taylor-Johnson and Marisa Abela on finding Amy Winehouse’s true voice in ‘Back To Black’
The director and star of Amy Winehouse biopic Back To Black discuss crafting their vision for the hit film.
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FeaturesHow Nicole Kidman is redefining the female gaze with ‘Babygirl’: “It’s uncharted territory”
The prolific actress says she has stepped into fresh territory with Halina Reijn’s ‘Babygirl’
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FeaturesTilda Swinton on her role as a dying writer in Pedro Almodovar’s ‘The Room Next Door’: “It was written for my wiring”
Tilda Swinton is a transformational actress who is now working closer to her true self, she says
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FeaturesSaoirse Ronan on ‘The Outrun’, ‘Blitz’ and wanting to do more films “in my own accent”
Saoirse Ronan on her producing debut ‘The Outrun’ and collaborating with Steve McQueen on ‘Blitz’
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FeaturesGuy Pearce on his role in ‘The Brutalist’ and why he's drawn to playing powerful people
Guy Pearce plays the quixotic industrialist driving events in epic drama The Brutalist. The actor tells Demetrios Matheou how he sank his teeth into the contradictory, multi‑layered role
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Features‘September 5’ star John Magaro: "I’ve constantly had to reintroduce myself to the public"
The actor stars as ABC Sports producer Geoffrey Mason in ’September 5’.
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FeaturesIn conversation: ‘Hard Truths’ duo Marianne Jean-Baptiste and Michele Austin on Mike Leigh’s unique process
Longtime Mike Leigh collaborators play two very different sisters living in north London.
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Features‘Sing Sing’ star Clarence Maclin on why he hopes his story can inspire others
Clarence Maclin learned to act inside prison — a redemptive journey celebrated in Greg Kwedar’s film Sing Sing.
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FeaturesWhy outsourcing and AI means the US animation sector is facing hefty challenges in 2025
Despite the 2024 box-office numbers, the animation industry has been experiencing some seriously choppy waters.
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Features‘Anora’ director Sean Baker on making his most audience-friendly film, why he’s “worried about the next one”
Baker tells Screen how he shaped his Palme d’Or winner.
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FeaturesEdward Berger on achieving his "razor sharp" ‘Conclave’ shots, upcoming projects
Edward Berger follows an Oscar-winning First Word War drama with a papal thriller. He tells Screen how he was bewitched by the intrigue and power play of Conclave.
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FeaturesLove, violence and awful behaviour: the making of Rose Glass’s ‘Love Lies Bleeding’
Rose Glass and her ‘Love Lies Bleeding’ co-writer Weronika Tofilska on making their uncompromising US-set crime thriller.
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FeaturesBaftas 2025: fierce competition faces titles competing for the British-only categories
Top contenders include ’Conclave’, ’Blitz’, ’Gladiator II’, ’We Live In Time’ and ’Civil War’.
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FeaturesUS producers are mobilising to protect their rights – and careers – in a changed industry
Without an official union, US producers are lobbying in different ways to improve their representation.